We may assume that it is sheer modesty that prompts Mr Sriram to disclaim his fair acquintance with Telugu Language.He might be referring to the script, but not to the language proper. We infer to his more than causual knowledge of Telugu from many pieces of clarificationhe has proferred on classical kritis, not only of Tyagayya, but also on those of the successors to his leagacy, right to Myose Vasudevachari. And I do remember [ but now has failed to trace] the moving tract Mr Sriram offered us , sketching the erudtion and travails of the Maras born antiquarian, Telugu poet and researcher , Late Manavalli Ramkrishnayya. I should choose here to be adaciuos to add a few random words. Treaties on telugu prosody, such as Kavijansrayamu cite poems from Amuktamalyada, referring the creation as that of Peddana.It is yet to authenticate to be the work done entrely by Peddana.The probabily is that Krishna Raya could have taken / accpeted active contribution from Peddana, who was a professiaonl poet.The Raya sponsored eight poets[ not necessarily all being of Telugu Language}, but his venaration in matters of custom and reitual was more to TirumalaTatacharyulu, a Srivishnava ritualist of Thenkalai sect, than it was to any poet. Priyalwar may be equated with Tatacharylu.Garlapatii Ramalingaya is believed to have convertd to Vashnavism and changed his name to tenali rama krishna kavi. He probabaly cannot placed in the court of Krishna Raya , even at the tail end of the emperors tenure.The eisoded attributed to tenali Rama may not but be in the gambit of folklore. Inicdentally, Viruri Vedadri , whom the poet dedicated his mgnum opus to, belongs to post Tallikota years. So are the other recipients of his works such as Ghatikachala mahatmyam andUdbhataradhya Charitram.Same is the case with his bete-noire, Bhattu Murthy, The probabailty is that these two poets , hailing from two conatagious villages of Velanadu competed for state patronage. By the time the seat of the empire had been shifted to Penugondafrom Hampi.Accounts from literary works are prone to subscring to hyperbole, more so in cases where a patron of the work is referred to .Butthe entire estamation as to the multi faceted talents of KrishnaRaya needt not be brished aside. The connoisure as he was, the omnipotent miltary genius he was , he found time to learn classical music in the esatblishe cirriculum of orthodox methodology. Epigraphical references suggest taht one Bhandaru Lakshmi narayana was endowed with landed grant fo rthe services rendered by him in offering tutorils in playing the instrumnet , vena to the emperor.Is this the same Lolla Lakshmi narayana, the music theoritician attributetd the treatise Sangeetha Suryodayam?
Amuktamalyada In Telugu Pdf
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